A catchy heavy alternative rock song that starts slowly and will having you singing along by the end. Yes, it’s my son’s band, Nothing Personal, and they recently released their new full-length album, Unforgettable. So sue me for being a proud dad. This is the last Music Monday I’ll do on them for awhile.
The album is available for download at all the online music retailers. Have a great Monday! ~Phil
This song kicks the crap out of anything Ed Sheeran has ever done. Yes, I said it. I mean it and Ed Sheeran can come and fight me if he disagrees.
I’m hoping you clicked on and listened to the song before I tell you that it’s by my son’s band, Nothing Personal. I hope you listened long enough to get to the harmonica part later in the song too. That’s pretty cool. My favorite lyric is “I’ll wear my heart on my sleeve, and when it falls you’ll pick it up for me.”
Seriously, if you listened, shouldn’t this song be on the radio? (Yes, you can find this song and the entire album in iTunes and all the other music retailers)
Poisonous, and your venom fills my veins with every kiss. That’s my favorite line from this song. Or another good one is Hope you know you’re slowly killingme, I’ll still play the fool foolishly. I promise that I won’t post about my sons’ bands new album every day. (This song and their entire new album Unforgettable is available on iTunes and all the other music retailers) Give this song a listen. It’s a fun, different, pop-alternative rock song. If you know anyone who works for a record label please drop me a line.
This is my son. His bands full length album will be available for pre-sale in the iTunes store on Friday and available for download on the 29th. This article is from his college newspaper.
Rising Student Artist: Liam Taylor leads Nothing Personal
Liam Taylor keeps Open Mic Night entertaining drawing inspiration from punk bands like Blink-182 and All Time Low. Photo provided by Alison Flanagan
Nothing is more unforgettable than bright pink hair. Except, maybe, Nothing Personal. That pink hair belongs to Liam Taylor, a freshman at Oswego State and founding member of the band Nothing Personal of Rochester. Don’t be surprised if you catch the singer with a new hairdo. His hair varies as much as his talents.
As part of Nothing Personal, Taylor is currently part of a nearly completed project to release the band’s first full-length album. Senior Mike McKean is recording and mixing the album for the group.
“I’ve wanted to do a full album for a long time, but I haven’t really had the opportunity,” Taylor said. “It was such an awesome opportunity that Mike McKean gave us.”
The album is titled “Unforgettable” and consists of a variety of sounds. Nothing Personal takes inspiration from their favorite bands, including All Time Low (ATL). Their namesake is a tribute to ATL’s hit 2009 album. Blink-182 and Twenty One Pilots also offer a source of inspiration for Taylor, especially when he writes.
“There’s a lot of, kind of heavier pop punk songs, a lot of brighter ones,” Taylor said. “And then there’s like, a folky, acoustic song on there. I’m really excited about that one.”
The album also includes a duet featuring fellow student artist Kristen Geary.
Having already finished most of the recording process, McKean is eager to finish work on the final product.
“It’s something that I’m proud that he’s getting and I’m also proud to show,” McKean said. “This is what I’m doing with my life so I’d be proud to show this to future employers.”
During the recording process, pride is a visible feature on both Taylor and McKean’s faces. They both have a passion for the project and their roles in the creation process, as well as for the music industry they both aspire to work in. Taylor has enjoyed being involved in the recording process and hopes that “if the whole ‘rock star’ thing doesn’t work out,” he can find success as a producer.
McKean discovered Taylor’s talents at a Thursday Open Mic Night at the beginning of the semester. As a first time performer, Taylor captivated his audience and has done the same each time since. Taylor says he always finds support in the audience there “even if he messes up.” He shows his modesty by making lighthearted jokes regarding his performances, which never seem disappoint his audience.
“There’s never a rude person there,” Taylor said. “They can be so accepting of everyone, and even if someone messes up, they can just keep cheering them on and make everyone feel better. … I look forward to it throughout the week.”
The positive atmosphere at Open Mic is something McKean encourages as the Lifestyles Center Peer Mentor in charge every week. So far, his encouragement has resulted in a nearly completed full-length album, with a hopeful release date in early December.
At first when I saw this band’s name, Baio, I immediately thought it might be some kitschy-cool reference to 70’s/80’s TV star Scott Baio who was in Happy Days and Charles in Charge. I was sadly mistaken. Baio refers to Chris Baio, who has already had tremendous success with his band Vampire Weekend.
In June Chris Baio released this song, Sister of Pearl, from his debut solo album The Names. Chris describes the song as “a Bowie and Ferry-referencing throwback pop song with a simple, straight-forward lyrical message: be who you want to be.” It is a fun, catchy song, but what made me decide to feature it was a story Chris told during a radio interview:
When he was working on the album he had walked into the recording company offices for something. He found a guitar laying around. He picked it up and strummed it a bit and liked it’s sound, so he took it with him to finish recording Sister of Pearl. Later in the day his manager came in and said, “Have you seen Adele’s guitar?”
I was going to go with a cool indie alt rock band until I saw my son do this Saturday night. In Heath Ledger Joker makeup he hosted an open mic/costume party at a coffee house. It’s his acoustic cover of the classic Hallelujah. And if you know someone who works for a record company please put them in touch with me.
It was the Fall of 1999 or 2000. My wife and I were visiting the picturesque little town of Stowe, Vermont. We wandered into one of the many quaint gift shops and as we browsed knick-knacks, music played. It was music that immediately struck a chord with me. It’s that feeling when you hear their music that you know you’re going to love everything they do. That’s what I felt when I first heard Black 47. I asked the cashier what the music was and she pointed me to a small stack of Black 47 Live in New York City cds. Every song sounds like a party in a crowded bar.
Although the band called it quits on their own terms last year, frontman Larry Kirwan has remained extremely busy. Considering that he writes books and plays, writes for The Irish Echo, hosts a weekly Celtic music show on SiriusXm radio, and performs solo gigs (his new single Floating dropped last week), I was happily surprised when Larry replied to my email.
TPF: Growing up in Ireland, who were your musical influences?
Larry: They were legion. Though it was a small town, Wexford had its own Opera Festival. Many people emigrated to London and brought back whatever was happening in music. Rockabilly artists like Eddie Cochran and Gene Vincent were popular with the local Teddyboys and you could hear their reverb-drenched songs pumping from the town’s only jukebox. As well as that there was a strong tradition of Folk Music that I loved. And to top it all, my father was a merchant marine who loved Calypso and Tango music. I imbibed it all. But everything came together when I first heard Bob Dylan’s Like A Rolling Stone. Astral Weeks by Van Morrison was also deeply influential – probably still is.
TPF: From your books and music, your love of New York City is apparent. Was there ever a time you considered returning to Ireland for good?
Larry: No, I never did. I knew from the first minute I arrived on my own with just $100 in my pocket that I wouldn’t be going home. I was illegal for 3 years and couldn’t go back and by then, after living in the depths of the East Village, it was way too late.
TPF: When you and Chris Byrne started Black 47 in 1989 did you imagine that the band would become as popular as it did?
Larry: Our first thoughts were staying alive or at least not getting the shit beat out of us. The Bronx bars we played in were rough – we were playing loud and provocatively – so we weren’t very popular, to say the least. We weren’t very good either. But four sets a night, is great practice. And there was a shortage of bands, so we could do four nights a week no trouble. We were committed to playing original music in places that just wanted cover songs. Then we got good at what we were doing and began attracting a following and it all became a lot simpler. After a year, though, I knew we had something different – and that’s always the most important thing. Besides that, we were both naturally very political – and that seems to give you a bit of a cachet. So, we had a lot going for us – and then we were enriched by the other members joining. But I don’t think we ever thought about popularity that much. We were a band doing what it wanted to do – that might seem old fashioned now, but to us it was pretty much everything.
noliesradio.org
TPF: Your music is a blend of multiple styles. How would you describe it to someone who had never heard you before?
Larry: We played exactly 25 years and I have to admit that, despite my facility for words, I could never summarize it. Maybe you can give it a go? The best I could ever come up with – and it’s not very good is – New York Music.
TPF: LOL, I’m not sure I could do better than that. It’s very fitting. You’ve also written several books and plays. What was your first love, writing or music? Or did one lead to the other?
Larry: I was an early reader and read voraciously through much of my life. I always thought I’d be a writer of some sort but I put it off for a long time. Meanwhile, I was in love with music so I got into songwriting and performing. I wrote a novel in my early 20’s that wasn’t very good, although I remember certain scenes fondly. But playwriting got me really into writing. I had a small talent for dialogue that made it easy to get a start. Then I had a very minor hit with my second play, Liverpool Fantasy, and that gave me confidence. Of course I learned the hard way that a sense of drama is much more important than a facility for words, and I’m up here in Toronto at a workshop of a musical of mine still coming to terms with that.
I got back into novel writing eventually and enjoy the slog of it, although I’m concentrating more on musicals and plays at the moment. I do have a novel in the can, as it were – A Raving Autumn – that will probably be published in 2016.
You probably have a better idea of what I’ve done with songwriting. Being a member of Black 47 was such a great outlet for me. We always needed new songs and the 25 years went by in a blur. We rarely performed more than 6 songs from an album of 12 so I’m getting re-acquainted with some Black 47 songs right now as a solo performer. It’s interesting stripping them back into their original form and finding the soul of them.
It’s a little odd. When I get an idea now I can transform it into a song, a play, or a novel pretty effortlessly, whereas when I began dabbling in all three disciplines, I always knew which of them the idea would slot into. A blessing or a curse? I guess I’ll find out as I go along.
TPF: I’ll look forward to A Raving Autumn and I’ll be sure to feature it here. You’re still performing solo gigs and it’s been almost a year since the band stopped performing together. Are there any plans for any more occasional Black 47 shows?
Larry: I don’t see there being any more Black 47 shows. It was a moment in time – 25 years of a moment. I miss the guys a lot – we were brothers – not just the members of the band but the crew members too. But then, I suppose, Black 47 was always more than a band. We were political, and did things our way, never looked for approval. We were probably closer to our fans than any band and yet we always played just for ourselves. You like it – great; you don’t like it, then there are a lot of other good bands to listen to. I prefer to keep it that way. Onwards and upwards and look back with pride.
TPF: Larry, as a long time fan of Black 47 I’d like to say thank you to you, the rest of the band and crew for the 25 years of great music. I look forward to hearing more of your solo work and reading your novel. Also, thank you for taking time from your busy schedule for me and my readers. For readers and fans who want to keep up with Larry, you can find him on Facebook, at his blog and on SiriusXM radio hosting the Celtic Crush show on Sunday mornings. His solo music and Black 47 albums are available in stores and all the online outlets. You can find his books on Amazon, other online retailers and in bookstores.
My son and I saw this band last week. It was my fourth time seeing them, although the first three times they were opening for other, bigger acts. It seems they’ve outgrown the opener label as my son and I waited in a line about a quarter mile long to get into the venue. The lead singer of the band, Brendon Urie, whom my son would like to model himself after, has a great voice and a brilliant dramatic flair on stage. Although the bands lyrics are catchy and clever I chose to add the video of their live cover of Queen’s Bohemian Rhapsody, because everyone loves Bohemian Rhapsody and no one’s done it this good since Freddie Mercury passed away. Enjoy! Have a great Monday! ~Phil
I still like this. I’ve included the short version with the lyrics on the screen. There’s so many good lines that ring true. How about if everybody puts their favorite line in the comments?
The race is long and in the end, it is only with yourself. Have a great Monday! ~Phil
Self-proclaimed grand poobah of leisure, parapsychologist, author of several humorous suspense novels and one of the longest running blogs in the world, The Phil Factor.
thephilfactor.com